Life as an Artist
I recently finished reading Rick Rubin’s book, ‘The Creative Act,’ and I must say that I thoroughly enjoyed it. I was told that readers either love it and relate to it or dismiss it, and after just a few pages, I knew I would fall into the first camp.
For those unfamiliar with Rick Rubin, he is a renowned music producer who has worked with the likes of Eminem, Johnny Cash, and System of a Down, among many others.
One of the aspects of Rubin’s book that resonated with me is his broad definition of artists and their craft. He believes that regardless of whether we are formally engaged in creating art or not, we are all living artists, constantly engaged in the act of creation. This perspective allows for a more inclusive understanding of creativity, where even everyday activities like having a conversation, rearranging furniture, or taking a new route home can be seen as creative acts.
Living as an artist, according to Rubin, involves being fully present in the world, perceiving with intention, and immersing ourselves in the details. It requires a deep level of interest and a refined sensitivity to pick up on the subtle nuances and finer notes of life.
I found the earlier sections of the book particularly enjoyable and thought-provoking. Rubin delves into the fundamental aspects of the creative process, exploring questions such as “Where do great ideas come from?” and “Where does inspiration originate?” These discussions offer valuable insights into the creative journey and provoke reflection on our own sources of inspiration.
Below, I have compiled some of the most compelling quotes from the book. I hope Rick won’t mind that I’ve included them here, as they serve as great reminders and inspiration to return to:
Overall, ‘The Creative Act’ is a captivating read that encourages readers to embrace their innate creativity and view the world through an artistic lens. It is a book that I will revisit time and again, drawing inspiration from its profound insights on the creative process. Whether you consider yourself an artist or not, I believe this book has something valuable to offer to anyone seeking to nurture their creative spirit.
Developing Senstive Antena and Tuning In
“… rhythms are not set by us. We are all participating in a larger creative act we are not conducting. We are being conducted. The artist is on a cosmic timetable, just like all of nature.
If you have an idea you’re excited about and you don’t bring it to life, it’s not uncommon for the idea to find its voice through another maker. This isn’t because the other artist stole your idea, but because the idea’s time has come.
In this great unfolding, ideas and thoughts, themes and songs and other works of art exist in the aether and ripen on schedule, ready to find expression in the physical world.
As artists, it is our job to draw down this information, transmute it, and share it. We are all translators for messages the universe is broadcasting. The best artists tend to be the ones with the most sensitive antennae to draw in the energy resonating at a particular moment. Many great artists first develop sensitive antennae not to create art but to protect themselves. They have to protect themselves because everything hurts more. They feel everything more deeply.”
On Awareness
“In most of our daily activities we choose the agenda and develop a strategy to achieve the goal at hand. We create the program. Awareness moves differently. The program is happening around us. The world is the doer and we are the witness. We have little or no control over the content. The gift of awareness allows us to notice what’s going on around and inside ourselves in the present moment. And to do so without attachment or involvement. We may observe bodily sensations, passing thoughts and feelings, sounds or visual cues, smells and tastes. Through detached noticing, awareness allows an observed flower to reveal more of itself without our intervention.”
“Awareness is not a state you force. There is little effort involved, though persistence is key. It’s something you actively allow to happen. It is a presence with, and acceptance of, what is happening in the eternal now. As soon as you label an aspect of Source, you’re no longer noticing, you’re studying. This holds true of any thought that takes you out of presence with the object of your awareness, whether analysis or simply becoming aware that you’re aware. Analysis is a secondary function. The awareness happens first as a pure connection with the object of your attention. If something strikes me as interesting or beautiful, first I live that experience. Only afterward might I attempt to understand it.”
“Though we can’t change what it is that we are noticing, we can change our ability to notice. We can expand our awareness and narrow it, experience it with our eyes open or closed. We can quiet our inside so we can perceive more on the outside, or quiet the outside so we can notice more of what’s happening inside. We can zoom in on something so closely it loses the features that make it what it appears to be, or zoom so far out it seems like something entirely new. The universe is only as large as our perception of it. When we cultivate our awareness, we are expanding the universe. This expands the scope, not just of the material at our disposal to create from, but of the life we get to live.”
On the Spritual Advantage
“The word spirituality may not speak to those who dwell chiefly in the intellect or those who equate the word with organized religion. If you prefer to think of spirituality as simply believing in connection, that’s fine. If you choose to think of it as believing in magic, that’s fine too. The things we believe carry a charge regardless of whether they can be proven or not. The practice of spirituality is a way of looking at a world where you’re not alone. There are deeper meanings behind the surface. The energy around you can be harnessed to elevate your work. You are part of something much larger than can be explained—a world of immense possibilities. Harnessing this energy can be marvelously useful in your creative pursuits. The principle operates on faith. Believing and behaving as if it’s true. No proof is needed. When you’re working on a project, you may notice apparent coincidences appearing more often than randomness allows—almost as if there is another hand guiding yours in a certain direction. As if there is an inner knowing gently informing your movements. Faith allows you to trust the direction without needing to understand it. Pay particular attention to the moments that take your breath away—a beautiful sunset, an unusual eye color, a moving piece of music, the elegant design of a complex machine. If a piece of work, a fragment of consciousness, or an element of nature is somehow allowing us to access something bigger, that is its spiritual component made manifest. It awards us a glimpse of the unseen.
“Though artists generally aren’t aware of it, that end work is a by-product of a greater desire. We aren’t creating to produce or sell material products. The act of creation is an attempt to enter a mysterious realm. A longing to transcend. What we create allows us to share glimpses of an inner landscape, one that is beyond our understanding. Art is our portal to the unseen world.”
“Without the spiritual component, the artist works with a crucial disadvantage. The spiritual world provides a sense of wonder and a degree of open-mindedness not always found within the confines of science. The world of reason can be narrow and filled with dead ends, while a spiritual viewpoint is limitless and invites fantastic possibilities. The unseen world is boundless.”
Habit of paying attention
“When we repeat the exercise of opening our senses to what is, we move closer to living in a continually open state. We build a habit. One where expanded awareness is our default way of being in the world. To deepen this practice is to embark on a more profound relationship with Source. As we reduce the interference of our filter, we become better able to recognize the rhythms and movements around us. This allows us to participate with them in a more harmonious way. When we take notice of the cycles of the planet, and choose to live in accordance with its seasons, something remarkable happens. We become connected. We begin to see ourselves as part of a greater whole that is constantly regenerating itself. And we may then tap into this all-powerful propagating force and ride its creative wave.”
Nature as a teacher
“The closer we can get to the natural world, the sooner we start to realize we are not separate. And that when we create, we are not just expressing our unique individuality, but our seamless connection to an infinite oneness.”
“If we focus on what’s going on inside ourselves—sensations, emotions, the patterns of our thoughts—a wealth of material can be found. Our inner world is every bit as interesting, beautiful, and surprising as nature itself. It is, after all, born of nature. When we go inside, we are processing what’s going on outside. We’re no longer separate. We’re connected. We are one. Ultimately, it doesn’t make a difference whether your content originates on the inside or the outside. If a beautiful thought or phrase comes to mind, or if you see a beautiful sunset, one’s not better than the other. Both are equally beautiful in different ways.”